(Above is Werewolf Anatomical Reasearch Case III)
T: You started doing your assemblage work in earnest after retiring your comic series Wilderemere. When exactly was that?
A: About three years ago. I had invested everything I had into my comic career, but I wasn’t happy and didn’t really enjoy what I was doing. I’d drawn and written 18 comics and released an action figure line, sunk everything into it - I remember throwing my pencil across the room and shouting out “I can’t be bothered anymore!” I swore that I would never draw another comic. I’d created assemblage pieces in the past, but I guess it all started with this little box, called “The Vampire Legacy Case” about a 14th century aristocratic vampire, the last rites and possessions of this vampiric lord. I had the idea of creating an alternative past, creating characters and species with which to fabricate my own world in which all these things existed. So I started making, and the rest is history!
I learn everything from scratch, and if I come up against some project or a goal which is not easy to reach, I’ll have a good think and reach that by trying lots of different things. From sculpting to soldering, they were all things I had to learn myself.